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Released on: 1897-03-21

Bocal aux poissons rouges

[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.

Documentary

Production Companies:

Lumière

Production Countries:

France

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