âTomorrowâs Promise is a film about vacantness. Which physically does âbeginâ, reversed, upside down on the screen [âŠ] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by âmoodâ. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the âstoryâ. The story the protagonist and her hero try to tell in their way is apophysis; except that âpicturesâ, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to âre-createâ the protagonist of my personal life.â - Edward Owens
