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Released on: 1992-01-01

Конец Санкт-Петербурга или Новый Икар

1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.

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Soviet Union

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