âI donât drive, but I know people whoâll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere. I used very intricate matting, some shaped like knives. I wanted the cars to slice each other in two, creating a kind of hurdy gurdy atmosphereâŠan abstract rushing to and fro, going nowhere. The first half of the film is silent. The second half, a grainy dupe of the same images, has sound and is far more urgent and aggressive.â (Paul Winkler)
