The documentary filmmakers Marta Dauliute and Viktorija Ć iaulyte step into the closed-in collective with as much curiosity as much-needed skepticism. Here, capital is synonymous with the individualâs ability, and innovation is the confounding keyword. At the same time, we get to know those who rent a little âpodâ that barely offers space for a bed and desk, raising questions about how the entrepreneurial ideology affects us as people. Good Life reflects on a modern phenomenon, where community has become the product of a company, but which at the same time reminds us of other collectives from a completely different time.
